Theatre Archives

HEAD OVER HEELS

Nov 21 – Dec 29 2019

Seattle premiere

Head Over Heels

Songs by The GoGo’s
Based on The Arcadia by Sir Philip Sidney
Conceived & Original Book by Jeff Whitty (Tony Award-winning writer)
Adapted by James Magruder

Directed by Mathew Wright

A hilarious, exuberant musical that will get you grooving in your seat, Head Over Heels follows a royal family on an outrageous journey to save their beloved kingdom from extinction—only to discover the revolution they need is within their own hearts. From the visionaries who rocked Broadway with Hedwig and the Angry Inch, Avenue Q and Spring Awakening, this bold and fierce new musical comedy—set to the iconic music of the 80s all-female rock band The Go-Go’s, including the hit songs “We Got the Beat,” “Our Lips Are Sealed,”—is a spirited and sexy celebration of love in all its infinite varieties.

Run time – 2 hours with a 15 minute intermission

This production uses water-based haze.  

Content Note:  Head Over Heels is a light-hearted love story with some veiled & playful mature innuendo.  


 

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SUNSET BABY

Sep 26 – Oct 20 2019

by Dominique Morisseau

Directed by Valerie Curtis-Newton

Speaking truth to power SUNSET BABY begins with the story of Nina, a strong and independent woman named after the rebellious songstress, as she is visited by her estranged father and former revolutionary in the Black liberation movement, Kenyatta. She can’t tell what he’s after, a fix to their broken relationship or the only physical items of value she ties to her mother – a collection of love letters written by her infamous parents. As the lives of father and daughter begin to intertwine, old wounds are revealed, generational differences exposed, and smoldering truths laid bare. Morisseau’s SUNSET BABY is an energetic and vibrant narrative of the duality and intersectionality of family, legacy, and liberation.  Run time – 90 minutes

D5-A3844-EDITED

 

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“[A] smart and bracing new play about two generations of urban outlaws struggling to stay afloat in the lower depths…[Sunset Baby] covers vast acres of social and political ground.” – The New York Times

“…smart, entertaining and moving…while asking penetrating questions about the nature of liberation. Is it possible to be a good revolutionary and a good parent? Why are the gains made by one generation so often casually thrown away by the next? And what are the things we do for love?” – The Guardian

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THE LAST WORLD OCTOPUS WRESTLING CHAMPION

Jun 20 – Jul 28 2019

Book, music and lyrics by Justin Huertas

Musical arrangements & orchestrations by Steven Tran

Directed by Mathew Wright

Gregory Award-winning playwright of LIZARD BOY

Senior year (and falling in love) is hard enough, but when the discovery of her mother’s old trophy throws open the locked doors of the past, a young girl must reckon with a world turned upside down – and the arrival of strange new abilities that seem to hint at a destiny beyond her wildest imaginations. Taking rich threads of Puget Sound history and folklore, musical mastermind Justin Huertas weaves a thrilling modern myth of love, family, and transformation.

Note: this production features the use of water-based haze.

Runtime is 1 hour 45 minutes.

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“Justin Huertas is one of those people who seemingly can do everything.” – KUOW

“[Huertas’s] songs liven up the action…His talent for choruses and his humor shine.” – The Stranger


Presented in the round!

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OFFICE HOUR

May 02 – May 26 2019

By Julia Cho

Directed by Mathew Wright

Susan Smith Blackburn Prize-winning playwright

Alarmed by his grisly writings, a professor invites a troubled student to her office to shed light on – and build a bridge across – the dark clouds that surround him. As the clock ticks down and tensions rise, she learns that notions of “good” and “bad” are dangerous illusions. A stirring call for empathy and a bold experiment in form, this searing play tackles thorny issues of gun violence, immigration, and “the other” to reveal our essential, human need for connection.

Content note: Office Hour features realistic, non-firing prop guns, loud recorded gun shots, and depictions of violence.

Office Hour runs 90 minutes with no intermission.


…vital, honest, and valuable. …Office Hour is interested not only in the question of gun violence, but in the painful, isolating struggle faced by the children of immigrant parents in this country.” —NY Magazine

“…[an] urgent and sensitive drama… tense and extremely well thought out… What is so gripping about the play…is the ever-present fear of horrific violence that permeates the space, even as sympathy grows for Dennis. …Cho effectively calls for compassion and outreach from a society that commonly creates violent loners out of troubled children.” —Broadway World


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Next in the Season: The Last World Octopus Wresting Champion >


 

 

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