Past Gallery Exhibitions

Max Marlett – Symbols and Archetypes: Modern Reflections of the Past

Dec 15 – Feb 28 2021

Artist: Max Marlett

Symbols and Archetypes: Modern Reflections of the Past

Marlett is driven to investigate the thread that connects the symbols and archetypes of classic stories to generate a new perspective for his subject matter. By looking at life through a lens outside of time, he can get to the heart of what remains the same throughout human history. Despite the new era of technology we are living in, we are faced with the same desire to live with a life of purpose. Through these juxtapositions, he hopes to express the dominance of nature over human innovation, an remind people of our ephemeral relationship with the natural world.



Max Marlett was born and raised in Portland, Oregon. He received his Bachelor of Arts in Fine Arts from Gonzaga University in 2015. Max works primarily in oil on canvas and oil on panel. Painting from life has been fundamental for his development, but he also paints from sketches, collage and photography. This year, Max has a painting accepted in the Center on Contemporary Art’s Member show in 2020. In 2019, he received the Kent Summer Art Exhibit Purchase Award from the city of Kent, Washington. Max also has two paintings on permanent display at the Paragon Restaurant in Seattle. Recently, Max has been inspired by works in cultural anthropology, gonzo journalism, and horror movies from the 1980s. Above all, Max believes that it is important for the artist to create their own world in order to have a dialogue with modern culture. He currently lives in Seattle, Washington and shows his artwork throughout the Pacific Northwest.


To see more of Max’s work visit his website at or Instagram @max.marlett


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Anna Macrae: Fantasy Landscapes

Jan 16 – Feb 02 2020

Artist: anna macrae

Fantasy Landscapes  –  

Anna Macrae uses bold colors and shapes to describe vertical and horizontal viewpoints of potentially urban and city landscapes. Playful color-field inspired paintings are generated on embedded textural surfaces with overlapping information and marks. These surreal landscapes renderings inform a dialogue and connections between human imprint and natural forms as they give way to the evolving notion of fantasy habitats.

Bio – 

Anna Macrae was born and educated in England, and has lived on the Eastside of Seattle since 2001.

She considers herself a lifelong artist, and from an early age she surrounded herself with art making. Her mother and grandmother were both artists, their skills were often put to use in a more practical and domestic environment, but their approach to life instilled in Anna creative possibilities in everyday objects and situations.

She gained qualifications in Civil Engineering, but her passion has always been for art making, and engagement in community based arts interactions.

She is self-taught, which she feels allows her to be unrestricted in her practice, as she gives herself the freedom of no rules to follow.

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Sabella Flagg

Nov 21 – Dec 29 2019


Artist Statement for Sabella, the monarq

The complexity of identity has fascinated me for some time now. What strikes me most is how paradoxical the idea of selfhood is. For instance: we are always ourselves and yet constantly in flux, changing and developing based on a multitude of different factors and environments. In each of us there is the possibility of becoming someone else—or at least demonstrating a multiplicity that makes us unique and gives us life.

My move to the Pacific Northwest led me to re-examine the factors shaping my identity. New geography and culture sparked new ways of looking at both internal and external landscapes. Pressing questions arose: How do I make a home after leaving home behind? How do I integrate the past into potential futures? Channeling these concerns through photography, collage, pattern making, and portraiture, I have developed a multidisciplinary body of work that engages this fundamental yet elusive concept of selfhood.

To explore identity through my photography, I embrace the limitations of analog form while pushing at its boundaries. My polaroids visualize the fragmentary terrain of the remembered as a small flash of a moment, a little out-of-focus. They serve to represent the subjective experience itself: its shadows, its bursts of color, its layers. By carefully manipulating the photographic process, through the use of double exposure, for example, I create layers that simulate our recollections, the way they overlap, blur and distort. Images encountered in daily life—of foliage, of a shelf of books—appear through reflective surfaces that texture and distort. They speak to how true selfhood is multifaceted. It has fractures but also patterns in ways of being. In this way, my artwork articulates a modulating identity in search of new modes of expression.

Understanding that one’s self and place are ever on shifting ground, my work decontextualizes and defamiliarizes the many articulations of identity in order to formulate, and reformulate, the paradoxically unsettled and yet settling self.

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New Works by Rae Akino

Sep 25 – Oct 27 2019

Artists: Rae Akino


Seattle based, self-taught visual artist. What began as a coping mechanism for depression and anxiety became a lens to examine and understand the world. Being closeted, a slave to others expectations, and losing one of the most important people to their existence caused a mental, emotional, and spiritual paralysis. The need to escape turned into isolation, until they were encouraged to draw their way out of it.

Influenced by music, theater, literature, film, life, people, etc; the DC native uses bold colors and expressive form to explore identity, sexuality, Afrocentrism, spirituality, mental health/ awareness, consciousness, and self. Centering the viewer into an emotional, mental, and spiritual connection with themselves opens the door to endless possibilities. Awakening desensitized emotions lead to the questions that spark conversations.



Living in a society where boxes and labels are a way of life, forces one to hide and resent the parts of themselves that are not accepted.  

Never being strictly one thing or another fostered the realization that “I am all things” “We are all things.”

Telling stories that are unheard, or undervalued gives greater meaning to any work.

My objective is to make the viewer connect and think outside themselves or what they know to be true.  
To see beyond the pretty picture on the wall.

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